{"version":1,"pages":[{"id":"-LvNj6jclZd04-UPjh7q","title":"基础钢琴练习法（第三版）","pathname":"/fopp3","siteSpaceId":"sitesp_heYa0","description":"Fundamentals of Piano Practice(Third Edition) by Chuan C. Chang"},{"id":"-LvNvARPvWvDGDQhyWOC","title":"扉页","pathname":"/fopp3/title-page","siteSpaceId":"sitesp_heYa0","description":"标题为译者加"},{"id":"-LvOLl4keo6oEzcdolOK","title":"全书缩写","pathname":"/fopp3/abbreviations","siteSpaceId":"sitesp_heYa0","description":"ABBREVIATIONS"},{"id":"-LvNuuIJVgsAYPC5kOx4","title":"前言","pathname":"/fopp3/preface","siteSpaceId":"sitesp_heYa0","description":"Preface"},{"id":"-LvOILKzNDdalnWL4StS","title":"1.直觉版练琴步骤","pathname":"/fopp3/chap1/1.practice-routines","siteSpaceId":"sitesp_heYa0","description":"(1) Practice Routines, the Intuitive Method","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvOaT6lx4ux4ykwuC_-","title":"2.凳高、距离和姿势","pathname":"/fopp3/chap1/2.bench-height","siteSpaceId":"sitesp_heYa0","description":"(2) Bench Height, Distance from Piano, Posture","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvOhQS5uDjtf-BwkcWr","title":"3.开始弹奏一份乐谱","pathname":"/fopp3/chap1/3.starting-a-piece","siteSpaceId":"sitesp_heYa0","description":"(3) Starting a Piece","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvOhjXW3Oj23WkDrO4D","title":"4.弯指和直指手型、弯曲麻痹","pathname":"/fopp3/chap1/4.-wan-zhi-he-zhi-zhi-wan-qu-tan-huan","siteSpaceId":"sitesp_heYa0","description":"(4) Curled and Flat Finger Positions, Curl Paralysis","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvOk-l9XyDMdy0LJIyb","title":"5.读谱和指法","pathname":"/fopp3/chap1/5.-du-pu-he-zhi-fa","siteSpaceId":"sitesp_heYa0","description":"(5) Reading, Fingering","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvOkDlxbAB5bX-qFBen","title":"6.单手练习","pathname":"/fopp3/chap1/6.-fen-shou-lian-xi","siteSpaceId":"sitesp_heYa0","description":"(6) Hands Separate (HS) Practice","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvOkNsbVgev_k2-s-0N","title":"7.从难开始、片段练习和连续原则","pathname":"/fopp3/chap1/7.-cong-nan-kai-shi-pian-duan-lian-xi-he-lian-xu-yuan-ze","siteSpaceId":"sitesp_heYa0","description":"(7) Difficult Sections First, Segmental Practice, Continuity Rule","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvyOTtHuDSQaPwnh9lb","title":"31.拇指，最通用的手指，快速移动拇指","pathname":"/fopp3/chap1/31.-mu-zhi-zui-tong-yong-de-shou-zhi-kuai-su-yi-dong-mu-zhi","siteSpaceId":"sitesp_heYa0","description":"(31) Thumb, Most Versatile Finger, Power Thumb","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvZbw1COXSbtFyMDqmF","title":"36.Hand Motions","pathname":"/fopp3/chap1/36.hand-motions","siteSpaceId":"sitesp_heYa0","description":"(36) Hand Motions","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvmvrjN8lUMUy_tjSG7","title":"70.三角钢琴、电钢琴和立式钢琴","pathname":"/fopp3/chap1/70.-san-jiao-gang-qin-dian-gang-qin-he-li-shi-gang-qin","siteSpaceId":"sitesp_heYa0","description":"(70) Grand, Electronic, Upright Pianos","breadcrumbs":[{"label":"第一章 基础练琴法"}]},{"id":"-LvZbiJepVrx6fzDePp2","title":"67.Mozart's Formula, Beethoven and Group Theory","pathname":"/fopp3/chap2/67.mozarts-formula-beethoven-and-group-theory","siteSpaceId":"sitesp_heYa0","description":"(67) Mozart's Formula, Beethoven and Group Theory","breadcrumbs":[{"label":"第二章 与钢琴有关的信息"}]},{"id":"-LvOW7mbXUk94cauoLUG","title":"调音简介","pathname":"/fopp3/gang-qin-tiao-yin/tiao-yin-jian-jie","siteSpaceId":"sitesp_heYa0","description":"","breadcrumbs":[{"label":"第三章 钢琴调音"}]},{"id":"-LvZInmr3ZprJUrpEijT","title":"82.引用资料","pathname":"/fopp3/82.references","siteSpaceId":"sitesp_heYa0","description":"(82) References"},{"id":"-LvOW6qfUlSphjWjxd7I","title":"关于作者","pathname":"/fopp3/guan-yu-zuo-zhe","siteSpaceId":"sitesp_heYa0","description":""},{"id":"-LvOW4jHyP8UdP2Y830W","title":"封底","pathname":"/fopp3/feng-di","siteSpaceId":"sitesp_heYa0","description":""},{"id":"-LwHtl6s72zK3AyDXnOj","title":"译者的话","pathname":"/fopp3/yi-zhe-de-hua","siteSpaceId":"sitesp_heYa0","description":"Word form qiiingc"}]}